The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 106
The proximate gaze must shift from one to the other to make each in turn the
center of vision . This means that the point of view in a primitive picture is not
single , but as many points of view as there are objects represented . The canvas
is not ...
The proximate gaze must shift from one to the other to make each in turn the
center of vision . This means that the point of view in a primitive picture is not
single , but as many points of view as there are objects represented . The canvas
is not ...
Pagina 109
The formal dynamic schema that dominates the picture imposes on it a certain
unity and fosters the illusion of a single point of view . Furthermore , there
appears already in the work of El Greco another unifying element : chiaroscuro .
X THE ...
The formal dynamic schema that dominates the picture imposes on it a certain
unity and fosters the illusion of a single point of view . Furthermore , there
appears already in the work of El Greco another unifying element : chiaroscuro .
X THE ...
Pagina 111
XI VELASQUEZ Thanks to chiaroscuro , the unity of the picture becomes internal ,
and not merely obtained by extrinsic means . However , under the light , volumes
continue to lurk , the painting of bulk persists through the refulgent veil of light .
XI VELASQUEZ Thanks to chiaroscuro , the unity of the picture becomes internal ,
and not merely obtained by extrinsic means . However , under the light , volumes
continue to lurk , the painting of bulk persists through the refulgent veil of light .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth