The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 106
This means that the point of view in a primitive picture is not single , but as many points of view as there are objects represented . The canvas is not painted as a unity , but as a plurality . No part is related to any other ; each is ...
This means that the point of view in a primitive picture is not single , but as many points of view as there are objects represented . The canvas is not painted as a unity , but as a plurality . No part is related to any other ; each is ...
Pagina 109
The formal dynamic schema that dominates the picture imposes on it a certain unity and fosters the illusion of a single point of view . Furthermore , there appears already in the work of El Greco another unifying element : chiaroscuro .
The formal dynamic schema that dominates the picture imposes on it a certain unity and fosters the illusion of a single point of view . Furthermore , there appears already in the work of El Greco another unifying element : chiaroscuro .
Pagina 111
XI VELASQUEZ Thanks to chiaroscuro , the unity of the picture becomes internal , and not merely obtained by extrinsic means . However , under the light , volumes continue to lurk , the painting of bulk persists through the refulgent ...
XI VELASQUEZ Thanks to chiaroscuro , the unity of the picture becomes internal , and not merely obtained by extrinsic means . However , under the light , volumes continue to lurk , the painting of bulk persists through the refulgent ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation whole young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |