The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 106
This means that the point of view in a primitive picture is not single , but as many points of view as there are objects represented . The canvas is not painted as a unity , but as a plurality . No part is related to any other ; each is ...
This means that the point of view in a primitive picture is not single , but as many points of view as there are objects represented . The canvas is not painted as a unity , but as a plurality . No part is related to any other ; each is ...
Pagina 109
The formal dynamic schema that dominates the picture imposes on it a certain unity and fosters the illusion of a single point of view . Furthermore , there appears already in the work of El Greco another unifying element : chiaroscuro .
The formal dynamic schema that dominates the picture imposes on it a certain unity and fosters the illusion of a single point of view . Furthermore , there appears already in the work of El Greco another unifying element : chiaroscuro .
Pagina 111
Thanks to chiaroscuro , the unity of the picture becomes internal , and not merely obtained by extrinsic means . However , under the light , volumes continue to lurk , the painting of bulk persists through the refulgent veil of light .
Thanks to chiaroscuro , the unity of the picture becomes internal , and not merely obtained by extrinsic means . However , under the light , volumes continue to lurk , the painting of bulk persists through the refulgent veil of light .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |