The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 30
Pagina 106
The proximate gaze must shift from one to the other to make each in turn the center of vision . This means that the point of view in a primitive picture is not single , but as many points of view as there are objects represented .
The proximate gaze must shift from one to the other to make each in turn the center of vision . This means that the point of view in a primitive picture is not single , but as many points of view as there are objects represented .
Pagina 112
When it lights on something , it does not fix upon it , and , consequently , that something is converted , not into a round body , but into a mere surface that intercepts vision.1 The point of view has been retracted , has placed itself ...
When it lights on something , it does not fix upon it , and , consequently , that something is converted , not into a round body , but into a mere surface that intercepts vision.1 The point of view has been retracted , has placed itself ...
Pagina 114
If we eliminate this --for example , by blinking the eyes — we have only oblique vision , those side - views “ from ... It would seem that in fixing upon the object nearest the cornea , the point of view is as close as possible to the ...
If we eliminate this --for example , by blinking the eyes — we have only oblique vision , those side - views “ from ... It would seem that in fixing upon the object nearest the cornea , the point of view is as close as possible to the ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |