The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 30
Pagina 106
The proximate gaze must shift from one to the other to make each in turn the
center of vision . This means that the point of view in a primitive picture is not
single , but as many points of view as there are objects represented . The canvas
is not ...
The proximate gaze must shift from one to the other to make each in turn the
center of vision . This means that the point of view in a primitive picture is not
single , but as many points of view as there are objects represented . The canvas
is not ...
Pagina 112
When it lights on something , it does not fix upon it , and , consequently , that
something is converted , not into a round body , but into a mere surface that
intercepts vision.1 The point of view has been retracted , has placed itself farther
from the ...
When it lights on something , it does not fix upon it , and , consequently , that
something is converted , not into a round body , but into a mere surface that
intercepts vision.1 The point of view has been retracted , has placed itself farther
from the ...
Pagina 114
If we eliminate this --for example , by blinking the eyes -- we have only oblique
vision , those side - views " from the tail of ... It would seem that in fixing upon the
object nearest the cornea , the point of view is as close as possible to the subject
...
If we eliminate this --for example , by blinking the eyes -- we have only oblique
vision , those side - views " from the tail of ... It would seem that in fixing upon the
object nearest the cornea , the point of view is as close as possible to the subject
...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |