The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 84
law thanks to which in the aesthetic field the novel is possible . From this law
derive a few norms of the genre . IMPERVIOUSNESS Let us observe ourselves
the moment we have finished reading a great novel . Is it not as though we were ...
law thanks to which in the aesthetic field the novel is possible . From this law
derive a few norms of the genre . IMPERVIOUSNESS Let us observe ourselves
the moment we have finished reading a great novel . Is it not as though we were ...
Pagina 95
People in a novel need not be like real ones , it is enough that they are possible .
And this psychology of possible human minds , which I have called imaginary
psychology , is the only one that matters to the novel . That a novel may , apart
from ...
People in a novel need not be like real ones , it is enough that they are possible .
And this psychology of possible human minds , which I have called imaginary
psychology , is the only one that matters to the novel . That a novel may , apart
from ...
Pagina 114
It would seem that in fixing upon the object nearest the cornea , the point of view
is as close as possible to the subject and as far as possible from things . But no -
the inexorable retreat continues . Not halting even at the cornea , the point of ...
It would seem that in fixing upon the object nearest the cornea , the point of view
is as close as possible to the subject and as far as possible from things . But no -
the inexorable retreat continues . Not halting even at the cornea , the point of ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |