The Dehumanization of Art, and Other Writings on Art and Culture |
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Risultati 1-3 di 40
Pagina 14
ет means to the wife who is all grief has so little to do with what it means to the
painter who looks on impassively that it seems doubtful whether the two can be
said to be present at the same event . It thus becomes clear that one and the
same ...
ет means to the wife who is all grief has so little to do with what it means to the
painter who looks on impassively that it seems doubtful whether the two can be
said to be present at the same event . It thus becomes clear that one and the
same ...
Pagina 100
I am not , however , going to prolong our adventure to this remote arcana , and
will content myself , for the present , with interpreting the visage of six centuries
that has been Occidental painting . III Movement implies a mover . In the
evolution of ...
I am not , however , going to prolong our adventure to this remote arcana , and
will content myself , for the present , with interpreting the visage of six centuries
that has been Occidental painting . III Movement implies a mover . In the
evolution of ...
Pagina 123
The worst of it is that , problematic as our life in 1932 has become , the most
problematic thing about it is precisely its relation with the past . People are not
clearly aware of this , because the present and the future always afford a more
dramatic ...
The worst of it is that , problematic as our life in 1932 has become , the most
problematic thing about it is precisely its relation with the past . People are not
clearly aware of this , because the present and the future always afford a more
dramatic ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth