The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 59
... primitive novel seems more narrative than the modern . How- ever , this impression may have to be revised . Per- haps a primitive reader resembled a child in that he was capable of seeing in a few lines , in a bare pattern the integral ...
... primitive novel seems more narrative than the modern . How- ever , this impression may have to be revised . Per- haps a primitive reader resembled a child in that he was capable of seeing in a few lines , in a bare pattern the integral ...
Pagina 106
... primitive picture is not single , but as many points of view as there are objects represented . The canvas is not painted as a unity , but as a plurality . No part is related to any other ; each is perfect and separate . Hence the best ...
... primitive picture is not single , but as many points of view as there are objects represented . The canvas is not painted as a unity , but as a plurality . No part is related to any other ; each is perfect and separate . Hence the best ...
Pagina 107
... primitive , to paint what he sees as he sees it , he submits everything to an external force : the geometrical idea ... primitives and the Renais- sance toward Velásquez , we find in the Venetians , but especially in Tintoretto and ...
... primitive , to paint what he sees as he sees it , he submits everything to an external force : the geometrical idea ... primitives and the Renais- sance toward Velásquez , we find in the Venetians , but especially in Tintoretto and ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth