The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 85
... problems , and emo- tions the book has to offer would seem so small and futile that all their significance would be ... problem of our own political or metaphysical destiny ? No , he must Notes on the Novel 85.
... problems , and emo- tions the book has to offer would seem so small and futile that all their significance would be ... problem of our own political or metaphysical destiny ? No , he must Notes on the Novel 85.
Pagina 107
... problems of painting in hollow space with- out , however , coming to grips with them . Venetian art , from the beginning , tends to a dis- tant view of things . In Giorgione and Titian , the bodies seem to wish to lose their hard ...
... problems of painting in hollow space with- out , however , coming to grips with them . Venetian art , from the beginning , tends to a dis- tant view of things . In Giorgione and Titian , the bodies seem to wish to lose their hard ...
Pagina 128
... problem of his life is not posed in a way different from that heretofore in use . The biographies of Goethe have been built up in ac- cordance with the ... problems to the eye , which is all in sweeping lines . Monumental optics , we 128.
... problem of his life is not posed in a way different from that heretofore in use . The biographies of Goethe have been built up in ac- cordance with the ... problems to the eye , which is all in sweeping lines . Monumental optics , we 128.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth