The Dehumanization of Art, and Other Writings on Art and Culture |
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Risultati 1-3 di 22
Pagina 73
And the reader , proceeding by trial and error , apprehensive all the time of
making a mistake , must work out as best he can the actual character of those
fickle creatures . Owing to this device , among others , Dostoevski's books ,
whatever ...
And the reader , proceeding by trial and error , apprehensive all the time of
making a mistake , must work out as best he can the actual character of those
fickle creatures . Owing to this device , among others , Dostoevski's books ,
whatever ...
Pagina 83
The author must see to it that the reader is cut off from his real horizon and
imprisoned in a small , hermetically sealed universe - the inner realm of the novel
. He must make a " villager " of him and interest him in the inhabitants of this
realm .
The author must see to it that the reader is cut off from his real horizon and
imprisoned in a small , hermetically sealed universe - the inner realm of the novel
. He must make a " villager " of him and interest him in the inhabitants of this
realm .
Pagina 94
An awkward thing it would be if the novelist had to rely on the chance
experiences of this or that reader of his . Rather we recall that one of the peculiar
attractions Dostoevski's work used to hold for us lay in the unfamiliar behavior of
his ...
An awkward thing it would be if the novelist had to rely on the chance
experiences of this or that reader of his . Rather we recall that one of the peculiar
attractions Dostoevski's work used to hold for us lay in the unfamiliar behavior of
his ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth