The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 16
The inevitable dullness of this analysis will , I hope , be excused if it now enables
us to speak in a clear and precise way of a scale of emotional distances between
ourselves and reality . In this scale , the degree of closeness is equivalent to ...
The inevitable dullness of this analysis will , I hope , be excused if it now enables
us to speak in a clear and precise way of a scale of emotional distances between
ourselves and reality . In this scale , the degree of closeness is equivalent to ...
Pagina 17
That is to say , in the scale of realities “ lived ” reality holds a peculiar primacy
which compels us to regard it as “ the ” reality . Instead of " lived ” reality we may
say “ human ” reality . The painter who impassively witnesses the death scene ...
That is to say , in the scale of realities “ lived ” reality holds a peculiar primacy
which compels us to regard it as “ the ” reality . Instead of " lived ” reality we may
say “ human ” reality . The painter who impassively witnesses the death scene ...
Pagina 35
The idea remains a bare pattern , a sort of scaffold with which we try to get at
reality . Yet a tendency resident in human nature prompts us to assume that
reality is what we think of it and thus to confound reality and idea by taking in
good faith ...
The idea remains a bare pattern , a sort of scaffold with which we try to get at
reality . Yet a tendency resident in human nature prompts us to assume that
reality is what we think of it and thus to confound reality and idea by taking in
good faith ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth