The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 94
... seems convincing when it coincides with cases we have witnessed in life . An awkward thing it would be if the novelist had to rely on the chance experiences of this or that reader of his . Rather we recall that one of the peculiar ...
... seems convincing when it coincides with cases we have witnessed in life . An awkward thing it would be if the novelist had to rely on the chance experiences of this or that reader of his . Rather we recall that one of the peculiar ...
Pagina 101
... seems clear , per- fectly defined in all its details . Around the object , as far as the limits of the field of vision , there is a zone we do not look at , but which , nevertheless , we see with an indirect , vague , inattentive vision ...
... seems clear , per- fectly defined in all its details . Around the object , as far as the limits of the field of vision , there is a zone we do not look at , but which , nevertheless , we see with an indirect , vague , inattentive vision ...
Pagina 105
... seems to delight in asserting its own rounded vol- ume . Objects in the background receive the same treatment as those of the foreground . The artist contents himself with representing the distant as smaller than the proximate , but he ...
... seems to delight in asserting its own rounded vol- ume . Objects in the background receive the same treatment as those of the foreground . The artist contents himself with representing the distant as smaller than the proximate , but he ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth