The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 14
means to the wife who is all grief has so little to do with what it means to the painter who looks on impassively that it seems doubtful whether the two can be said to be present at the same event . It thus becomes clear that one and ...
means to the wife who is all grief has so little to do with what it means to the painter who looks on impassively that it seems doubtful whether the two can be said to be present at the same event . It thus becomes clear that one and ...
Pagina 70
... to recognize that form , which to the uninitiated may seem abstract and inefficient , is the true substance of art . ... at first sight , seems accidental and extrinsic but in reality forms the essence of the work : the structure of ...
... to recognize that form , which to the uninitiated may seem abstract and inefficient , is the true substance of art . ... at first sight , seems accidental and extrinsic but in reality forms the essence of the work : the structure of ...
Pagina 101
Then , the field of vision assumes a peculiar structure . In the center there is the favored object , fixed by our gaze ; its form seems clear , perfectly defined in all its details . Around the object , as far as the limits ...
Then , the field of vision assumes a peculiar structure . In the center there is the favored object , fixed by our gaze ; its form seems clear , perfectly defined in all its details . Around the object , as far as the limits ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |