The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 14
ет means to the wife who is all grief has so little to do with what it means to the
painter who looks on impassively that it seems doubtful whether the two can be
said to be present at the same event . It thus becomes clear that one and the
same ...
ет means to the wife who is all grief has so little to do with what it means to the
painter who looks on impassively that it seems doubtful whether the two can be
said to be present at the same event . It thus becomes clear that one and the
same ...
Pagina 70
I have often wondered why even experts find it difficult to recognize that form ,
which to the uninitiated may seem ... has fascinated the critics and prevented
them from penetrating into what , at first sight , seems accidental and extrinsic but
in ...
I have often wondered why even experts find it difficult to recognize that form ,
which to the uninitiated may seem ... has fascinated the critics and prevented
them from penetrating into what , at first sight , seems accidental and extrinsic but
in ...
Pagina 101
If we take up an object , an earthen jar , for example , and bring it near enough to
the eyes , these converge on it . Then , the field of vision assumes a peculiar
structure . In the center there is the favored object , fixed by our gaze ; its form
seems ...
If we take up an object , an earthen jar , for example , and bring it near enough to
the eyes , these converge on it . Then , the field of vision assumes a peculiar
structure . In the center there is the favored object , fixed by our gaze ; its form
seems ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |