The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 6
... sense of inferiority must be counterbalanced by indignant self - asser- tion . Through its mere presence , the art ... senses , endangers their rights as men . Whenever the new Muses present themselves , the masses bristle . For a ...
... sense of inferiority must be counterbalanced by indignant self - asser- tion . Through its mere presence , the art ... senses , endangers their rights as men . Whenever the new Muses present themselves , the masses bristle . For a ...
Pagina 21
... sense whatever , which are unintelligible and therefore nothing . One only needs to assemble un- connected words or to draw random lines . But to 6. An attempt has been made in this extreme sense- in certain works by Picasso - but it ...
... sense whatever , which are unintelligible and therefore nothing . One only needs to assemble un- connected words or to draw random lines . But to 6. An attempt has been made in this extreme sense- in certain works by Picasso - but it ...
Pagina 44
... sense of the word - and they will not be convinced that to be a farce may be precisely the mission and the virtue of art . A “ farce " in the bad sense of the word it would be if the modern artist pretended to equal status with the ...
... sense of the word - and they will not be convinced that to be a farce may be precisely the mission and the virtue of art . A “ farce " in the bad sense of the word it would be if the modern artist pretended to equal status with the ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth