The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
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Pagina 6
But when his dislike is due to his failure to understand , he feels vaguely
humiliated and this rankling sense of inferiority must be counterbalanced by
indignant self - assertion . Through its mere presence , the art of the young
compels the ...
But when his dislike is due to his failure to understand , he feels vaguely
humiliated and this rankling sense of inferiority must be counterbalanced by
indignant self - assertion . Through its mere presence , the art of the young
compels the ...
Pagina 44
To them modern painting and music are sheer “ farce " -in the bad sense of the
word - and they will not be convinced that to be a farce may be precisely the
mission and the virtue of art . A " farce " in the bad sense of the word it would be if
the ...
To them modern painting and music are sheer “ farce " -in the bad sense of the
word - and they will not be convinced that to be a farce may be precisely the
mission and the virtue of art . A " farce " in the bad sense of the word it would be if
the ...
Pagina 152
Once the idea that life is a symbol is accepted , one thing is as good as another :
it is as good to sleep with “ Christelchen ” as , in the “ ideal - Pygmalionic ” ' sense
, to marry a statue in the Palazzo Caraffa Colobrano . But destiny is precisely ...
Once the idea that life is a symbol is accepted , one thing is as good as another :
it is as good to sleep with “ Christelchen ” as , in the “ ideal - Pygmalionic ” ' sense
, to marry a statue in the Palazzo Caraffa Colobrano . But destiny is precisely ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth