The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 11
... sensibility ; all they require is human sensibility and willingness to sympathize with our neighbor's joys and worries . No wonder that nineteenth cen- tury art has been so popular ; it is made for the masses inasmuch as it is not art ...
... sensibility ; all they require is human sensibility and willingness to sympathize with our neighbor's joys and worries . No wonder that nineteenth cen- tury art has been so popular ; it is made for the masses inasmuch as it is not art ...
Pagina 18
... sensibility . Over 4. This new sensibility is a gift not only of the artist proper but also of his audience . When I said above that the new art is an art for artists I understood by " artists " not only those who produce this art but ...
... sensibility . Over 4. This new sensibility is a gift not only of the artist proper but also of his audience . When I said above that the new art is an art for artists I understood by " artists " not only those who produce this art but ...
Pagina 19
... sensibility represents the generic fact and the source , as it were , from which the former spring . This sensibility it is worth while to define . And when we seek to ascertain the most general and most characteristic feature of modern ...
... sensibility represents the generic fact and the source , as it were , from which the former spring . This sensibility it is worth while to define . And when we seek to ascertain the most general and most characteristic feature of modern ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth