The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 11
Their enjoyment does not depend upon our power to focus on transparencies and images , a power characteristic of the artistic sensibility ; all they require is human sensibility and willingness to sympathize with our neighbor's joys and ...
Their enjoyment does not depend upon our power to focus on transparencies and images , a power characteristic of the artistic sensibility ; all they require is human sensibility and willingness to sympathize with our neighbor's joys and ...
Pagina 18
This new sensibility is a gift not only of the artist proper but also of his audience . When I said above that the new art is an art for artists I understood by “ artists ” not only those who produce this art but also those who are ...
This new sensibility is a gift not only of the artist proper but also of his audience . When I said above that the new art is an art for artists I understood by “ artists ” not only those who produce this art but also those who are ...
Pagina 38
Even in the evolution of prehistoric art we observe that artistic sensibility begins with seeking the living form and then drops it , as though affrighted and nauseated , and resorts to abstract signs , the last residues of cosmic or ...
Even in the evolution of prehistoric art we observe that artistic sensibility begins with seeking the living form and then drops it , as though affrighted and nauseated , and resorts to abstract signs , the last residues of cosmic or ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition dehumanization destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth