The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
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Pagina 108
In the canvases of the Escorial he constructs great empty spaces . But in this undertaking he is forced to lean on ... He does not seek empty space ; in him there remains the intention to capture the corporeal , filled volume .
In the canvases of the Escorial he constructs great empty spaces . But in this undertaking he is forced to lean on ... He does not seek empty space ; in him there remains the intention to capture the corporeal , filled volume .
Pagina 112
Between the eye and the bodies is interposed the most immediate object : hollow space , air . Floating in the air , transformed into chromatic gases , formless pennons , pure reflections , things have lost their solidity and contour .
Between the eye and the bodies is interposed the most immediate object : hollow space , air . Floating in the air , transformed into chromatic gases , formless pennons , pure reflections , things have lost their solidity and contour .
Pagina 113
The premises formulated in our first paragraphs may seem to imply that the evolution had terminated when we arrive at the painting of hollow space . The point of view , transforming itself from the multiple and proximate to the single ...
The premises formulated in our first paragraphs may seem to imply that the evolution had terminated when we arrive at the painting of hollow space . The point of view , transforming itself from the multiple and proximate to the single ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |