The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 42
For what is art , concretely speaking , if not such art as has been made up to now ? Should that enthusiasm for pure art be but a mask which conceals surfeit with art and hatred of it ? But , how can such a thing come about ?
For what is art , concretely speaking , if not such art as has been made up to now ? Should that enthusiasm for pure art be but a mask which conceals surfeit with art and hatred of it ? But , how can such a thing come about ?
Pagina 147
When we speak of life , every word must be completed by the appropriate index of individuation . This deplorable necessity is indeed a part of man's destiny as man : to live in particular he has to speak in general . Goethe's vocation !
When we speak of life , every word must be completed by the appropriate index of individuation . This deplorable necessity is indeed a part of man's destiny as man : to live in particular he has to speak in general . Goethe's vocation !
Pagina 159
But to think , to speak , is always to exaggerate . By speaking , by thinking , we undertake to clarify things , and that forces us to exacerbate them , dislocate them , schematize them . Every concept is in itself ...
But to think , to speak , is always to exaggerate . By speaking , by thinking , we undertake to clarify things , and that forces us to exacerbate them , dislocate them , schematize them . Every concept is in itself ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition dehumanization destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth