The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 22
construct something that is not a copy of “ nature " and yet possesses substance of its own is a feat which presupposes nothing less than genius . “ Reality ” constantly waylays the artist to prevent his flight .
construct something that is not a copy of “ nature " and yet possesses substance of its own is a feat which presupposes nothing less than genius . “ Reality ” constantly waylays the artist to prevent his flight .
Pagina 62
FUNCTION AND SUBSTANCE Our interest has shifted from the plot to the figures , from actions to persons . Now , this transference - let it be noted parenthetically - finds a counterpart in what has , these last twenty years ...
FUNCTION AND SUBSTANCE Our interest has shifted from the plot to the figures , from actions to persons . Now , this transference - let it be noted parenthetically - finds a counterpart in what has , these last twenty years ...
Pagina 67
The substance of the pleasure contained in our theater is of the same Dionysian kind with the mystic raptures of seventeenth century monks and nuns , those sublime indulgers in ecstasy . Not a grain of contemplation .
The substance of the pleasure contained in our theater is of the same Dionysian kind with the mystic raptures of seventeenth century monks and nuns , those sublime indulgers in ecstasy . Not a grain of contemplation .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth