The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 63
TWO THEATERS Not many things illuminate the finer points of the diversity of
French and Spanish destinies so well as the difference of structure between the
classical French theater and the indigenous Spanish theater . I do not call the
latter ...
TWO THEATERS Not many things illuminate the finer points of the diversity of
French and Spanish destinies so well as the difference of structure between the
classical French theater and the indigenous Spanish theater . I do not call the
latter ...
Pagina 64
The author and his audience enjoy not so much the passions and the
consequent dramatic entanglements of the personages as the analysis of those
passions ; whereas in the Spanish theater psychological anatomy of sentiments
and ...
The author and his audience enjoy not so much the passions and the
consequent dramatic entanglements of the personages as the analysis of those
passions ; whereas in the Spanish theater psychological anatomy of sentiments
and ...
Pagina 67
This paragraph of Azorín's has taught me more about the Spanish theater than all
the books I have read . Inflammable matter the Spanish theater was - that is to
say , a thing as distinct as possible from the norm of perfection the French theater
...
This paragraph of Azorín's has taught me more about the Spanish theater than all
the books I have read . Inflammable matter the Spanish theater was - that is to
say , a thing as distinct as possible from the norm of perfection the French theater
...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |