The Dehumanization of Art, and Other Writings on Art and Culture |
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Risultati 1-3 di 90
Pagina 114
At the same time , the atomization of things in oblique vision is such that almost
nothing remains of them . Figures begin to be unrecognizable . Instead of
painting objects as they are seen , one paints the experience of seeing . Instead
of an ...
At the same time , the atomization of things in oblique vision is such that almost
nothing remains of them . Figures begin to be unrecognizable . Instead of
painting objects as they are seen , one paints the experience of seeing . Instead
of an ...
Pagina 130
Let us say , if you choose , that among the things with which you found yourself ,
your soul is the closest to you , but it is not ... We must learn to free ourselves from
the traditional idea which would have reality always consist in some thing , be it ...
Let us say , if you choose , that among the things with which you found yourself ,
your soul is the closest to you , but it is not ... We must learn to free ourselves from
the traditional idea which would have reality always consist in some thing , be it ...
Pagina 166
But , you will ask , does man perchance not find himself in the same situation as
the animal - a prisoner of the world , surrounded by things that terrify him , by
things that enchant him , and obliged all his life , inexorably , whether he will or
no ...
But , you will ask , does man perchance not find himself in the same situation as
the animal - a prisoner of the world , surrounded by things that terrify him , by
things that enchant him , and obliged all his life , inexorably , whether he will or
no ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth