The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 18
... tion of the new artistic produce . Writers who have nothing to convey but their praise or dispraise of works of art had better abstain from writing . They are unfit for this arduous task . The important thing is that there ...
... tion of the new artistic produce . Writers who have nothing to convey but their praise or dispraise of works of art had better abstain from writing . They are unfit for this arduous task . The important thing is that there ...
Pagina 41
... tion and disgust for living forms is inspired by just such an aversion against the traditional interpreta- tion of realities . The vigor of the assault stands in inverse proportion to the distance . Keenest con- tempt is felt for ...
... tion and disgust for living forms is inspired by just such an aversion against the traditional interpreta- tion of realities . The vigor of the assault stands in inverse proportion to the distance . Keenest con- tempt is felt for ...
Pagina 56
... tion , and refining the taste , of their readers . Each work that is better than a previous one is detrimen- tal to this and all others of the same level . Triumph cannot help being cruel . As the victor wins the battle at the cost of ...
... tion , and refining the taste , of their readers . Each work that is better than a previous one is detrimen- tal to this and all others of the same level . Triumph cannot help being cruel . As the victor wins the battle at the cost of ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth