The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 36
The traditional playwright expects us to take his personages for persons and their gestures for the indications of a " human " drama . Whereas here our interest is aroused by some personages as suchthat is , as ideas or pure patterns .
The traditional playwright expects us to take his personages for persons and their gestures for the indications of a " human " drama . Whereas here our interest is aroused by some personages as suchthat is , as ideas or pure patterns .
Pagina 41
Or to put it differently , an ever growing mass of traditional styles hampers the direct and original communication between the nascent artist and the world around him . In this case one of two things may happen .
Or to put it differently , an ever growing mass of traditional styles hampers the direct and original communication between the nascent artist and the world around him . In this case one of two things may happen .
Pagina 125
We find the future bearing down on us rather harder than it bore down on previous generations , we look back , according to our wont , for the traditional weapons ; but when we take them up , we find that they are rubber daggers ...
We find the future bearing down on us rather harder than it bore down on previous generations , we look back , according to our wont , for the traditional weapons ; but when we take them up , we find that they are rubber daggers ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth