The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 36
The traditional playwright expects us to take his personages for persons and their gestures for the indications of a " human " drama . Whereas here our interest is aroused by some personages as suchthat is , as ideas or pure patterns .
The traditional playwright expects us to take his personages for persons and their gestures for the indications of a " human " drama . Whereas here our interest is aroused by some personages as suchthat is , as ideas or pure patterns .
Pagina 41
Or to put it differently , an ever growing mass of traditional styles hampers the direct and original communication between the nascent artist and the world around him . In this case one of two things may happen .
Or to put it differently , an ever growing mass of traditional styles hampers the direct and original communication between the nascent artist and the world around him . In this case one of two things may happen .
Pagina 125
We find the future bearing down on us rather harder than it bore down on previous generations , we look back , according to our wont , for the traditional weapons ; but when we take them up , we find that they are rubber daggers ...
We find the future bearing down on us rather harder than it bore down on previous generations , we look back , according to our wont , for the traditional weapons ; but when we take them up , we find that they are rubber daggers ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth