The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 49
... best approximation to truth is contrived by a formula that in one unified ,
harmonious turn encompasses the greatest number of particular facts - like a
loom which with one stroke interlaces a thousand threads . I have been moved
exclusively ...
... best approximation to truth is contrived by a formula that in one unified ,
harmonious turn encompasses the greatest number of particular facts - like a
loom which with one stroke interlaces a thousand threads . I have been moved
exclusively ...
Pagina 53
... accidental lack of talents , and the sudden appearance of a man of genius •
Copyright , 1948 , by Princeton University Press . Reprinted , 1956 , by
permission of the Princeton University Press . would at any time automatically
turn the tide .
... accidental lack of talents , and the sudden appearance of a man of genius •
Copyright , 1948 , by Princeton University Press . Reprinted , 1956 , by
permission of the Princeton University Press . would at any time automatically
turn the tide .
Pagina 106
The proximate gaze must shift from one to the other to make each in turn the
center of vision . This means that the point of view in a primitive picture is not
single , but as many points of view as there are objects represented . The canvas
is not ...
The proximate gaze must shift from one to the other to make each in turn the
center of vision . This means that the point of view in a primitive picture is not
single , but as many points of view as there are objects represented . The canvas
is not ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth