The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 6
When a man dislikes a work of art , but understands it , he feels superior to it ; and there is no reason for ... But when his dislike is due to his failure to understand , he feels vaguely humiliated and this rankling sense of ...
When a man dislikes a work of art , but understands it , he feels superior to it ; and there is no reason for ... But when his dislike is due to his failure to understand , he feels vaguely humiliated and this rankling sense of ...
Pagina 12
That is why modern art divides the public into two classes , those who understand it and those who do not understand it - that is to say , those who are artists and those who are not . The new art is an artistic art .
That is why modern art divides the public into two classes , those who understand it and those who do not understand it - that is to say , those who are artists and those who are not . The new art is an artistic art .
Pagina 178
With this idea in mind , you will understand that I see an element of absurdity in the definition of man put forth by Linnaeus and the eighteenth century : homo sapiens . Because if we take this expression in good faith , it can mean ...
With this idea in mind , you will understand that I see an element of absurdity in the definition of man put forth by Linnaeus and the eighteenth century : homo sapiens . Because if we take this expression in good faith , it can mean ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |