The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 101
Indeed , the proximate vision and the distant vision of which physiology speaks are not notions that depend chiefly on measurable factors , but are rather two distinct ways of seeing . If we take up an object , an earthen jar ...
Indeed , the proximate vision and the distant vision of which physiology speaks are not notions that depend chiefly on measurable factors , but are rather two distinct ways of seeing . If we take up an object , an earthen jar ...
Pagina 103
Proximate vision has a tactile quality . What mysterious resonance of touch is preserved by sight when it converges on a nearby object ? We shall not now attempt to violate this mystery . It is enough that we recognize this quasi ...
Proximate vision has a tactile quality . What mysterious resonance of touch is preserved by sight when it converges on a nearby object ? We shall not now attempt to violate this mystery . It is enough that we recognize this quasi ...
Pagina 112
When it lights on something , it does not fix upon it , and , consequently , that something is converted , not into a round body , but into a mere surface that intercepts vision.1 The point of view has been retracted , has placed itself ...
When it lights on something , it does not fix upon it , and , consequently , that something is converted , not into a round body , but into a mere surface that intercepts vision.1 The point of view has been retracted , has placed itself ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth