The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 101
Indeed , the proximate vision and the distant vision of which physiology speaks
are not notions that depend chiefly on measurable factors , but are rather two
distinct ways of seeing . If we take up an object , an earthen jar , for example , and
...
Indeed , the proximate vision and the distant vision of which physiology speaks
are not notions that depend chiefly on measurable factors , but are rather two
distinct ways of seeing . If we take up an object , an earthen jar , for example , and
...
Pagina 103
Proximate vision has a tactile quality . What mysterious resonance of touch is
preserved by sight when it converges on a nearby object ? We shall not now
attempt to violate this mystery . It is enough that we recognize this quasi - tactile
density ...
Proximate vision has a tactile quality . What mysterious resonance of touch is
preserved by sight when it converges on a nearby object ? We shall not now
attempt to violate this mystery . It is enough that we recognize this quasi - tactile
density ...
Pagina 112
When it lights on something , it does not fix upon it , and , consequently , that
something is converted , not into a round body , but into a mere surface that
intercepts vision.1 The point of view has been retracted , has placed itself farther
from the ...
When it lights on something , it does not fix upon it , and , consequently , that
something is converted , not into a round body , but into a mere surface that
intercepts vision.1 The point of view has been retracted , has placed itself farther
from the ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |