The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 79
... vital interests that are not too narrow and oppressive are required for organizing our contemplation ; they must limit and articulate it by imposing upon it a perspective of attention . With respect to the countryside the hunter that ...
... vital interests that are not too narrow and oppressive are required for organizing our contemplation ; they must limit and articulate it by imposing upon it a perspective of attention . With respect to the countryside the hunter that ...
Pagina 138
... vital , pre- intellectual verity . Goethe thinks of his life under the image of a plant , but he feels it , he is it , as a dramatic preoccupation with his own self . I am afraid that this botanism of Goethe as a thinker makes him ...
... vital , pre- intellectual verity . Goethe thinks of his life under the image of a plant , but he feels it , he is it , as a dramatic preoccupation with his own self . I am afraid that this botanism of Goethe as a thinker makes him ...
Pagina 153
... vital program , our " entelechy " -there is no lack of names for the terrible reality which is our authentic I. This means that living is essentially an imperative basically opposite to that which Goethe proposes to us when he urges us ...
... vital program , our " entelechy " -there is no lack of names for the terrible reality which is our authentic I. This means that living is essentially an imperative basically opposite to that which Goethe proposes to us when he urges us ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth