The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 79
Some vital interests that are not too narrow and oppressive are required for
organizing our contemplation ; they must limit and articulate it by imposing upon it
a perspective of attention . With respect to the countryside the hunter that hunts
for ...
Some vital interests that are not too narrow and oppressive are required for
organizing our contemplation ; they must limit and articulate it by imposing upon it
a perspective of attention . With respect to the countryside the hunter that hunts
for ...
Pagina 138
But this means only that the ideas which a man conceives are superficial
compared with his vital , preintellectual verity . Goethe thinks of his life under the
image of a plant , but he feels it , he is it , as a dramatic preoccupation with his
own self .
But this means only that the ideas which a man conceives are superficial
compared with his vital , preintellectual verity . Goethe thinks of his life under the
image of a plant , but he feels it , he is it , as a dramatic preoccupation with his
own self .
Pagina 153
We have , whether we like it or not , to realize our “ personage , " our vocation ,
our vital program , our " entelechy " -- there is no lack of names for the terrible
reality which is our authentic I. This means that living is essentially an imperative
...
We have , whether we like it or not , to realize our “ personage , " our vocation ,
our vital program , our " entelechy " -- there is no lack of names for the terrible
reality which is our authentic I. This means that living is essentially an imperative
...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |