The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 87
... the figures . Let all novelists look at the doors of the Floren- tine baptistery wrought by Lorenzo Ghiberti ! In a series of small squares they show the whole Cre- ation : men , women , animals , fruits , Notes on the Novel 87.
... the figures . Let all novelists look at the doors of the Floren- tine baptistery wrought by Lorenzo Ghiberti ! In a series of small squares they show the whole Cre- ation : men , women , animals , fruits , Notes on the Novel 87.
Pagina 101
... whole background is blurred , hardly identifiable , without accented form , reduced to confused masses of color . If it is not something to which we are accustomed , we cannot say what it is , exactly , that we see in this indirect ...
... whole background is blurred , hardly identifiable , without accented form , reduced to confused masses of color . If it is not something to which we are accustomed , we cannot say what it is , exactly , that we see in this indirect ...
Pagina 146
... whole philosophy . I should only like to call to your attention the fact that a vocation , although it is always individual , is obviously composed of numerous generic ingredients . However much of an individual you may be , my dear ...
... whole philosophy . I should only like to call to your attention the fact that a vocation , although it is always individual , is obviously composed of numerous generic ingredients . However much of an individual you may be , my dear ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth