The Works of Shakespeare ..., Volume 14 |
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Pagina viii
Soc . Trans . 1875-1876 , pp . 310 , 311 ) . She finds that “ Henry VI . Parts II . and III . and Richard III . form a distinct and separate group . " She finds in all of them a singular resemblance to the writings of Marlowe , in ...
Soc . Trans . 1875-1876 , pp . 310 , 311 ) . She finds that “ Henry VI . Parts II . and III . and Richard III . form a distinct and separate group . " She finds in all of them a singular resemblance to the writings of Marlowe , in ...
Pagina ix
In The True Tragedy I see a little of Marlowe , less of Greene , more of Peele and much more of Shakespeare . And in the final play there is yet more of Shakespeare and yet less of the others . Whatever may have been the original plan ...
In The True Tragedy I see a little of Marlowe , less of Greene , more of Peele and much more of Shakespeare . And in the final play there is yet more of Shakespeare and yet less of the others . Whatever may have been the original plan ...
Pagina x
There is no suggestion of another hand . The little hall - mark of antiquity , " come let's go , " I. ii . 54 Q , occurs again at V. iii . 19 Q. It suggests Marlowe perhaps . Act I. Scene iii . Practically identical in the two copies .
There is no suggestion of another hand . The little hall - mark of antiquity , " come let's go , " I. ii . 54 Q , occurs again at V. iii . 19 Q. It suggests Marlowe perhaps . Act I. Scene iii . Practically identical in the two copies .
Pagina xi
There are echoes of Marlowe ( " racking clouds , " 27 ) , and of Peele ( " latest gasp , " 108 , " soul's prison , " 74 ) . All in both texts . Richard's character shows further development in both plays ( 79-88 ) .
There are echoes of Marlowe ( " racking clouds , " 27 ) , and of Peele ( " latest gasp , " 108 , " soul's prison , " 74 ) . All in both texts . Richard's character shows further development in both plays ( 79-88 ) .
Pagina xii
Fainting troops " ( Marlowe ) is omitted , and is paralleled by the omission of " fainting looks " ( or rather conversion ) in last scene ( 138 ) . " Thickest throngs " ( Marlowe and Kyd's Cornelia ) is omitted , and each expression has ...
Fainting troops " ( Marlowe ) is omitted , and is paralleled by the omission of " fainting looks " ( or rather conversion ) in last scene ( 138 ) . " Thickest throngs " ( Marlowe and Kyd's Cornelia ) is omitted , and each expression has ...
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arms battle bear blood brother called Clar Clarence Clif Clifford common Compare Contention Continuation crown death doth Duke earlier Edward Enter erle Exeunt expression eyes Faerie Queene father fear field fight follow France friends give Glou Gloucester Greene Hall hand hast hath head hear heart hence Henry VI hope John King King Edward King Henry Kyng later leave live London looks Lord March Margaret Marlowe mean mind Montague never occurs omitted Q once Oxford passage Peele play poor Prince Quarto Queene quoted reference rest Rich Richard scene Shake Shakespeare soldiers Spanish Tragedy speak speech Spenser stand stay sweet sword Tamburlaine tears tell thee thou thought True Tragedy unto viii Warwick York
Informazioni bibliografiche
| Titolo | The Works of Shakespeare ..., Volume 14 The Works of Shakespeare, William Shakespeare |
| Autore | William Shakespeare |
| Editore | Bobbs-Merrill Company, 1910 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 11 giu 2008 |
| Esporta citazione | BiBTeX EndNote RefMan |