The Works of Shakespeare ..., Volume 14 |
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Pagina vii
As was the case with Part II . , it receives a few slight emendations from the Quarto ( Q I , of which it is an expanded form ) known as The True Tragedy ( and forming the second part of The Whole Contention ) which was first printed in ...
As was the case with Part II . , it receives a few slight emendations from the Quarto ( Q I , of which it is an expanded form ) known as The True Tragedy ( and forming the second part of The Whole Contention ) which was first printed in ...
Pagina viii
... quarto with other quartos ( of plays by or attributed to Shakespeare ) of various dates ( 1600 , 1608 , 1619 ) , and the sus- picion that all were really printed in 1619 , see A. W. Pollard , Shakespeare Folios and Quartos , etc.
... quarto with other quartos ( of plays by or attributed to Shakespeare ) of various dates ( 1600 , 1608 , 1619 ) , and the sus- picion that all were really printed in 1619 , see A. W. Pollard , Shakespeare Folios and Quartos , etc.
Pagina ix
For example , in the present play , there is a Quarto line ( at III . ii . 84 ) : " Her looks are all repleat with maiestie " ; at IV . vi . 71 there is another line : " Thy lookes are all repleat with maiestie .
For example , in the present play , there is a Quarto line ( at III . ii . 84 ) : " Her looks are all repleat with maiestie " ; at IV . vi . 71 there is another line : " Thy lookes are all repleat with maiestie .
Pagina xv
Edward's unlucky marriage and Clarence's fickleness grow prominent . The lines are sensibly rewritten and fulfil their purpose , devoid of mannerism , harsh- ness , or any particular weakness . In the Quarto ...
Edward's unlucky marriage and Clarence's fickleness grow prominent . The lines are sensibly rewritten and fulfil their purpose , devoid of mannerism , harsh- ness , or any particular weakness . In the Quarto ...
Pagina xviii
The most interesting thing about this scene is its return to the Quarto - because the latter was more carefully done here . Edward is again Act v . Scene ii . The death of Warwick . brought into prominence to open the scene .
The most interesting thing about this scene is its return to the Quarto - because the latter was more carefully done here . Edward is again Act v . Scene ii . The death of Warwick . brought into prominence to open the scene .
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arms battle bear blood brother called Clar Clarence Clif Clifford common Compare Contention Continuation crown death doth Duke earlier Edward Enter erle Exeunt expression eyes Faerie Queene father fear field fight follow France friends give Glou Gloucester Greene Hall hand hast hath head hear heart hence Henry VI hope John King King Edward King Henry Kyng later leave live London looks Lord March Margaret Marlowe mean mind Montague never occurs omitted Q once Oxford passage Peele play poor Prince Quarto Queene quoted reference rest Rich Richard scene Shake Shakespeare soldiers Spanish Tragedy speak speech Spenser stand stay sweet sword Tamburlaine tears tell thee thou thought True Tragedy unto viii Warwick York