The Works of Shakespeare ..., Volume 14 |
Dall'interno del libro
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Pagina ix
The Peele resemblances at " main battle ” ( 1. i . 8 ) , at “ unpeople this my realm ” ( 1. i . 126 ) , and at " ground gape , and swallow ” ( 1. i . 161 ) are common to both plays . The changes are mostly in order to obtain metrical ...
The Peele resemblances at " main battle ” ( 1. i . 8 ) , at “ unpeople this my realm ” ( 1. i . 126 ) , and at " ground gape , and swallow ” ( 1. i . 161 ) are common to both plays . The changes are mostly in order to obtain metrical ...
Pagina xii
It is a device to give the feeling of time elapsing while the battle rages , which , the soldier ( father and son ) episodes serve to make more real . It is also a foil speech of Henry against Richard's soliloquy later on ( III . ii . ) ...
It is a device to give the feeling of time elapsing while the battle rages , which , the soldier ( father and son ) episodes serve to make more real . It is also a foil speech of Henry against Richard's soliloquy later on ( III . ii . ) ...
Pagina xxii
The historic period here dramatised commences on the day of the battle of St. Albans , 23rd May , 1455 , and ends on the day on which Henry VI.'s body was exposed in St. Paul's , 22nd May , 1471 . Queen Margaret , however , was not ...
The historic period here dramatised commences on the day of the battle of St. Albans , 23rd May , 1455 , and ends on the day on which Henry VI.'s body was exposed in St. Paul's , 22nd May , 1471 . Queen Margaret , however , was not ...
Pagina xxiv
Spoken like a toward prince ( keen for battle ) . Soliman and Perseda , 1. iv . 35-36 : “ Tis wondrous that so yong a toward warriour Should bide the shock of such approoved knights . ” In Q. In Tamburlaine . 11. v . 5 ( in Q ) .
Spoken like a toward prince ( keen for battle ) . Soliman and Perseda , 1. iv . 35-36 : “ Tis wondrous that so yong a toward warriour Should bide the shock of such approoved knights . ” In Q. In Tamburlaine . 11. v . 5 ( in Q ) .
Pagina xxx
... is worse in its unreality than anything in either play — or in any play . And Tamburlaine himself is more abominable , but did anyone ever pen a better line de- scriptive of the “ thunder of ordnance ” in battle XXX THE THIRD PART OF.
... is worse in its unreality than anything in either play — or in any play . And Tamburlaine himself is more abominable , but did anyone ever pen a better line de- scriptive of the “ thunder of ordnance ” in battle XXX THE THIRD PART OF.
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