The Works of Shakespeare ..., Volume 14 |
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Pagina x
There is no suggestion of another hand . The little hall - mark of antiquity , " come let's go ... 116-118 ) in the passage about " shook hands with death in I. iv . 101-102 . York's reply to Margaret is a portion of Margaret's ...
There is no suggestion of another hand . The little hall - mark of antiquity , " come let's go ... 116-118 ) in the passage about " shook hands with death in I. iv . 101-102 . York's reply to Margaret is a portion of Margaret's ...
Pagina xi
And constant evidence is given in the notes of Shakespeare's hand . Line 97 is found in Greene's Alphonsus . It is not in Q. The transition verb " refrain " ( 110 ) recalls Peele . For the unmetrical confusion of Q , see an instance at ...
And constant evidence is given in the notes of Shakespeare's hand . Line 97 is found in Greene's Alphonsus . It is not in Q. The transition verb " refrain " ( 110 ) recalls Peele . For the unmetrical confusion of Q , see an instance at ...
Pagina xii
Nevertheless Peele had a hand here in the early play I believe . See Peele parallels ( at 23 , 47 , 55 , 191 ) . Act II . Scene iv . In Q this bloody little scene has a few Marlowesque lines , which were deservedly expelled : they might ...
Nevertheless Peele had a hand here in the early play I believe . See Peele parallels ( at 23 , 47 , 55 , 191 ) . Act II . Scene iv . In Q this bloody little scene has a few Marlowesque lines , which were deservedly expelled : they might ...
Pagina xv
There is nothing in this scene suggestive of any other hand . Shakespeare came to it with improved experience , correcting the faults , amending corrupted verse , and above all designedly devoting attention to Margaret .
There is nothing in this scene suggestive of any other hand . Shakespeare came to it with improved experience , correcting the faults , amending corrupted verse , and above all designedly devoting attention to Margaret .
Pagina xvii
Characterisation is hardly attempted . Act v . Scene i . Follows Q very closely . Most of the striking expressions are common to both , and it is evident b Shakespeare had a free hand at the first scene of KING HENRY THE SIXTH xvii.
Characterisation is hardly attempted . Act v . Scene i . Follows Q very closely . Most of the striking expressions are common to both , and it is evident b Shakespeare had a free hand at the first scene of KING HENRY THE SIXTH xvii.
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arms battle bear blood brother called Clar Clarence Clif Clifford common Compare Contention Continuation crown death doth Duke earlier Edward Enter erle Exeunt expression eyes Faerie Queene father fear field fight follow France friends give Glou Gloucester Greene Hall hand hast hath head hear heart hence Henry VI hope John King King Edward King Henry Kyng later leave live London looks Lord March Margaret Marlowe mean mind Montague never occurs omitted Q once Oxford passage Peele play poor Prince Quarto Queene quoted reference rest Rich Richard scene Shake Shakespeare soldiers Spanish Tragedy speak speech Spenser stand stay sweet sword Tamburlaine tears tell thee thou thought True Tragedy unto viii Warwick York