Coleridge and the Literature of SensibilityVision, 1978 - 270 pagine |
Dall'interno del libro
Risultati 1-3 di 28
Pagina 107
... Aeolian harp could be much more readily anthropomorphized and projected full of human powers to will and initiate action : 11 11 Hail heav'nly harp , where Memnon's skill is shown , That charm'st the ear with music all thine own ! Which ...
... Aeolian harp could be much more readily anthropomorphized and projected full of human powers to will and initiate action : 11 11 Hail heav'nly harp , where Memnon's skill is shown , That charm'st the ear with music all thine own ! Which ...
Pagina 117
... Aeolian harp held in store for the poet who would take it seriously as a cosmic metaphor which ( so to speak ) ... Aeolian harp or its equivalent as a cosmic metaphor . After all , the activating wind was primary . It was a natural ( or ...
... Aeolian harp held in store for the poet who would take it seriously as a cosmic metaphor which ( so to speak ) ... Aeolian harp or its equivalent as a cosmic metaphor . After all , the activating wind was primary . It was a natural ( or ...
Pagina 137
... Aeolian harp . 15. Letters , I , 155 , dated 10 March 1795 , to George Dyer . The image is borrowed from an important passage in Akenside's The Pleasures of Imagination ( 1744 ) , I , 109-24 , which I shall discuss shortly . One of the ...
... Aeolian harp . 15. Letters , I , 155 , dated 10 March 1795 , to George Dyer . The image is borrowed from an important passage in Akenside's The Pleasures of Imagination ( 1744 ) , I , 109-24 , which I shall discuss shortly . One of the ...
Sommario
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Copyright | |
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Parole e frasi comuni
Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young
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