Coleridge and the Literature of SensibilityVision, 1978 - 270 pagine |
Dall'interno del libro
Risultati 1-3 di 95
Pagina 15
... Coleridge's early ( and best ) poetry . I see no reason to doubt that he also en- joyed occasional premonitory glimpses of the great critical and philosophical syntheses he later discovered in Schlegel and Schel- ling . However , I am ...
... Coleridge's early ( and best ) poetry . I see no reason to doubt that he also en- joyed occasional premonitory glimpses of the great critical and philosophical syntheses he later discovered in Schlegel and Schel- ling . However , I am ...
Pagina 54
... Coleridge's other intelligent literary contemporaries would have understood that Dejection was a cul- mination of something in Coleridge's career and of an important tradition as well . NOTES 1. Ernest de Selincourt , ' Coleridge's ...
... Coleridge's other intelligent literary contemporaries would have understood that Dejection was a cul- mination of something in Coleridge's career and of an important tradition as well . NOTES 1. Ernest de Selincourt , ' Coleridge's ...
Pagina 116
... Coleridge's Aeolian harp . One essential difference between Coleridge's and Boehme's metaphors is that the Eternal Spirit in Boehme's usage is the Third Person of the Christian Trinity and not ' At once the Soul of each , and God of all ...
... Coleridge's Aeolian harp . One essential difference between Coleridge's and Boehme's metaphors is that the Eternal Spirit in Boehme's usage is the Third Person of the Christian Trinity and not ' At once the Soul of each , and God of all ...
Sommario
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Copyright | |
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Parole e frasi comuni
Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young
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