Coleridge and the Literature of SensibilityVision, 1978 - 270 pagine |
Dall'interno del libro
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Pagina 34
... Coleridge was not Dalila , Mr. Coleridge did cast himself , for a moment , in the role of Samson . As I shall explain later , the figure of Samson was almost certainly associated by Coleridge and Wordsworth with the more recent and ...
... Coleridge was not Dalila , Mr. Coleridge did cast himself , for a moment , in the role of Samson . As I shall explain later , the figure of Samson was almost certainly associated by Coleridge and Wordsworth with the more recent and ...
Pagina 54
... Coleridge's other intelligent literary contemporaries would have understood that Dejection was a cul- mination of something in Coleridge's career and of an important tradition as well . NOTES 1. Ernest de Selincourt , ' Coleridge's ...
... Coleridge's other intelligent literary contemporaries would have understood that Dejection was a cul- mination of something in Coleridge's career and of an important tradition as well . NOTES 1. Ernest de Selincourt , ' Coleridge's ...
Pagina 56
... Coleridge's own dramatic fragment The Triumph of Loyalty , drafted a couple of months previously , which uses the phrase ' shaping spirit ' . 34. Letters , II , 719 , 721 , 724 , 726 , to Greenough , Poole , Thelwall , and Davy . 35 ...
... Coleridge's own dramatic fragment The Triumph of Loyalty , drafted a couple of months previously , which uses the phrase ' shaping spirit ' . 34. Letters , II , 719 , 721 , 724 , 726 , to Greenough , Poole , Thelwall , and Davy . 35 ...
Sommario
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Copyright | |
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Parole e frasi comuni
Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young
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