Coleridge and the Literature of SensibilityVision, 1978 - 270 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 49
... stanza is a whole . In its closing phases it is articulated through a series of three noun clauses each of which exhausts itself syntactically within a couplet before the series , and indeed the entire stanza , achieves a resolution in ...
... stanza is a whole . In its closing phases it is articulated through a series of three noun clauses each of which exhausts itself syntactically within a couplet before the series , and indeed the entire stanza , achieves a resolution in ...
Pagina 123
... Stanza I. But with that ' scream / Of agony ' the lute has fulfilled its purpose as a metaphor for the distempered sensibility . Something has hap- pened to ' startle this dull pain ' - it is no longer ' dull ' — and with that ...
... Stanza I. But with that ' scream / Of agony ' the lute has fulfilled its purpose as a metaphor for the distempered sensibility . Something has hap- pened to ' startle this dull pain ' - it is no longer ' dull ' — and with that ...
Pagina 236
... Stanza VI , regresses into the world of memory . Though the opening of Stanza VI There was a time when , though my path was rough , This joy within me dallied with distress , owes its evocative force to Wordsworth , the stanza ...
... Stanza VI , regresses into the world of memory . Though the opening of Stanza VI There was a time when , though my path was rough , This joy within me dallied with distress , owes its evocative force to Wordsworth , the stanza ...
Sommario
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Copyright | |
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Parole e frasi comuni
Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young
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