Coleridge and the Literature of SensibilityVision, 1978 - 270 pagine |
Dall'interno del libro
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Pagina 127
... eighteenth centuries ; they could be adapted to the Christian world - view but not to the one charted by ... century poetry and literary aesthetics . Another and closely related force for conservation were the Cambridge Platon- ists and their ...
... eighteenth centuries ; they could be adapted to the Christian world - view but not to the one charted by ... century poetry and literary aesthetics . Another and closely related force for conservation were the Cambridge Platon- ists and their ...
Pagina 180
... eighteenth - century ode . Thus to argue is certainly not to deny that the blurring and breakdown of generic categories during the eighteenth century was a phenomenon at least as important and extensive as the attempts , by poet after ...
... eighteenth - century ode . Thus to argue is certainly not to deny that the blurring and breakdown of generic categories during the eighteenth century was a phenomenon at least as important and extensive as the attempts , by poet after ...
Pagina 183
... eighteenth - century poetry and the exalted self - image of the poet as joyous harmonist and poète maudit . Section 3 explains briefly how and why eighteenth - century theorists polarized lyric form into ' greater ' and ' lesser ' odes ...
... eighteenth - century poetry and the exalted self - image of the poet as joyous harmonist and poète maudit . Section 3 explains briefly how and why eighteenth - century theorists polarized lyric form into ' greater ' and ' lesser ' odes ...
Sommario
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Copyright | |
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Parole e frasi comuni
Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young
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