Coleridge and the Literature of SensibilityVision, 1978 - 270 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 132
... experience . This means that one must have both ' joy ' within and ' harmony ' without to achieve the experience : no problem in 1798 for the happy trio - William , Dorothy and Coleridge - secure in the knowledge that Nature repaid joy ...
... experience . This means that one must have both ' joy ' within and ' harmony ' without to achieve the experience : no problem in 1798 for the happy trio - William , Dorothy and Coleridge - secure in the knowledge that Nature repaid joy ...
Pagina 144
... experience which Wordsworth seems to have known early and abundantly , the recollection of which was to overflow into some of the greatest passages of The Prelude and the Immortality ode . But was this the experience described in ...
... experience which Wordsworth seems to have known early and abundantly , the recollection of which was to overflow into some of the greatest passages of The Prelude and the Immortality ode . But was this the experience described in ...
Pagina 233
... experience within human reach , i.e. through a new experience of Earth which is sensory in the first instance ( as it must be ) but transensory too . Heaven reveals itself in and through Earth to the individual who brings to Earth both ...
... experience within human reach , i.e. through a new experience of Earth which is sensory in the first instance ( as it must be ) but transensory too . Heaven reveals itself in and through Earth to the individual who brings to Earth both ...
Sommario
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Copyright | |
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Parole e frasi comuni
Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young
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