Coleridge and the Literature of SensibilityVision, 1978 - 270 pagine |
Dall'interno del libro
Risultati 1-3 di 58
Pagina 54
... important tradition as well . NOTES 1. Ernest de Selincourt , ' Coleridge's Dejection : an Ode ' , Essays and Studies , XXII ( 1937 ) , 7-25 . Reprinted in Wordsworthian and Other Studies ( Oxford , 1947 ) , 57–76 , which is the text I ...
... important tradition as well . NOTES 1. Ernest de Selincourt , ' Coleridge's Dejection : an Ode ' , Essays and Studies , XXII ( 1937 ) , 7-25 . Reprinted in Wordsworthian and Other Studies ( Oxford , 1947 ) , 57–76 , which is the text I ...
Pagina 118
... important than Bowles or Hartley , and ( Coleridge's later claims notwithstanding ) was certainly more important than Boehme . This was Mark Akenside , one of the most precocious and , in the end , disappointing poets England has ever ...
... important than Bowles or Hartley , and ( Coleridge's later claims notwithstanding ) was certainly more important than Boehme . This was Mark Akenside , one of the most precocious and , in the end , disappointing poets England has ever ...
Pagina 157
... important even if ( from another point of view ) ' superficial ' . But I do not wish to under- estimate the width of the epistemological and temperamental gulf between the two men . First , repudiating the mechanistic philoso- phies of ...
... important even if ( from another point of view ) ' superficial ' . But I do not wish to under- estimate the width of the epistemological and temperamental gulf between the two men . First , repudiating the mechanistic philoso- phies of ...
Sommario
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Copyright | |
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Parole e frasi comuni
Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young
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