Coleridge and the Literature of SensibilityVision, 1978 - 270 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 73
... poetic genius , regardless of back- ground , was too commonly subject to those weaknesses of tem- perament and character which destroyed Burns . Thus was he able to turn the edge of prejudice against his subject . Writing at the end of ...
... poetic genius , regardless of back- ground , was too commonly subject to those weaknesses of tem- perament and character which destroyed Burns . Thus was he able to turn the edge of prejudice against his subject . Writing at the end of ...
Pagina 74
George Dekker. 1 poetic genius , knew it , and believed that English poetic geniuses were marked men . I have shown ... poets of such humble birth and education when he might have named ( for instance ) Otway or Collins or some other ...
George Dekker. 1 poetic genius , knew it , and believed that English poetic geniuses were marked men . I have shown ... poets of such humble birth and education when he might have named ( for instance ) Otway or Collins or some other ...
Pagina 209
... poetic family . The structural and stylistic devices characteristic of these lyrics are basically methods of framing and heightening which island the poetic experience from the flow of everyday reality and authen- ticate the moment of ...
... poetic family . The structural and stylistic devices characteristic of these lyrics are basically methods of framing and heightening which island the poetic experience from the flow of everyday reality and authen- ticate the moment of ...
Sommario
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Copyright | |
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Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young
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