Coleridge and the Literature of SensibilityVision, 1978 - 270 pagine |
Dall'interno del libro
Risultati 1-3 di 62
Pagina 126
... soul and within the soul ; ( 3 ) musica instrumentalis or what we should normally consider ' real music ' . To these kinds of music may be added a fourth , heavenly or prima musica , of which the others are copies . What are the ...
... soul and within the soul ; ( 3 ) musica instrumentalis or what we should normally consider ' real music ' . To these kinds of music may be added a fourth , heavenly or prima musica , of which the others are copies . What are the ...
Pagina 127
... soul of the celestial music which the soul forgot as a result of in- carnation ; a Christian Neoplatonist like Milton , adapting the tradi- tion to Genesis , maintains that Adam and Eve were able to hear the prima musica before the Fall ...
... soul of the celestial music which the soul forgot as a result of in- carnation ; a Christian Neoplatonist like Milton , adapting the tradi- tion to Genesis , maintains that Adam and Eve were able to hear the prima musica before the Fall ...
Pagina 135
... soul is sent A sweet and potent voice , of its own birth , Of all sweet sounds the life and element ! Of the varieties of ' Joy ' experienced in Coleridge and Words- worth's poetry I shall have more to say later ; here I wish to notice ...
... soul is sent A sweet and potent voice , of its own birth , Of all sweet sounds the life and element ! Of the varieties of ' Joy ' experienced in Coleridge and Words- worth's poetry I shall have more to say later ; here I wish to notice ...
Sommario
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Copyright | |
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Parole e frasi comuni
Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young
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