Coleridge and the Literature of SensibilityVision, 1978 - 270 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 116
... spirit , but the receptacle , con- tainer , or cabinet of the spirit , wherein it lies ; for the signature stands in the essence , and is as a lute that liest still , and is in- deed a dumb thing that is neither heard or understood ...
... spirit , but the receptacle , con- tainer , or cabinet of the spirit , wherein it lies ; for the signature stands in the essence , and is as a lute that liest still , and is in- deed a dumb thing that is neither heard or understood ...
Pagina 149
... Spirit in Nature . Wordsworth does not say that ' Plea- sure ' is the Holy Spirit , but he strongly implies that it is through the instrumentality of Pleasure that the Holy Spirit works . Vague though Wordsworth's formulations are , it ...
... Spirit in Nature . Wordsworth does not say that ' Plea- sure ' is the Holy Spirit , but he strongly implies that it is through the instrumentality of Pleasure that the Holy Spirit works . Vague though Wordsworth's formulations are , it ...
Pagina 242
... spirit , guided from above , Dear Lady , friend devoutest of my choice , Thus mayest thou ever , evermore rejoice . The main themes and images of the preceding stanzas - Dejection and Joy , storm and sky , observation and creative ...
... spirit , guided from above , Dear Lady , friend devoutest of my choice , Thus mayest thou ever , evermore rejoice . The main themes and images of the preceding stanzas - Dejection and Joy , storm and sky , observation and creative ...
Sommario
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Copyright | |
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Parole e frasi comuni
Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young
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