Coleridge and the Literature of SensibilityVision, 1978 - 270 pagine |
Dall'interno del libro
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Pagina 41
... suppose it was written so early as that , and I do suppose that his troubles with the two Saras began some time before they came to the surface in his ( surviving ) letters and notebook entries for the late summer and autumn of 1801 ...
... suppose it was written so early as that , and I do suppose that his troubles with the two Saras began some time before they came to the surface in his ( surviving ) letters and notebook entries for the late summer and autumn of 1801 ...
Pagina 80
... suppose that Croft's vulgar compilation could not have deeply interested and affected Cole- ridge . In common with his own and the immediately previous generation of English poets , Coleridge was fascinated by suicide cases . He assumed ...
... suppose that Croft's vulgar compilation could not have deeply interested and affected Cole- ridge . In common with his own and the immediately previous generation of English poets , Coleridge was fascinated by suicide cases . He assumed ...
Pagina 113
... suppose that such a sensibility as this - the perfect passive medium - would also be accessible to Pythian afflatus : we might even suppose that lines 15-20 are a prayer for that to happen : And oh ! that even now the gust were swelling ...
... suppose that such a sensibility as this - the perfect passive medium - would also be accessible to Pythian afflatus : we might even suppose that lines 15-20 are a prayer for that to happen : And oh ! that even now the gust were swelling ...
Sommario
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Copyright | |
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Parole e frasi comuni
Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young
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