Coleridge and the Literature of SensibilityVision, 1978 - 270 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 23
... verse letter . What prompted Coleridge to write it that evening ? The poem itself suggests two somewhat conflicting answers to this question . As in the published versions of Dejection , so in the verse letter does Coleridge describe a ...
... verse letter . What prompted Coleridge to write it that evening ? The poem itself suggests two somewhat conflicting answers to this question . As in the published versions of Dejection , so in the verse letter does Coleridge describe a ...
Pagina 47
... verse letter when he prepared the Morning Post and Sibylline Leaves versions of the poem for publication.6 ° House has made out as good a case as possible , I think , for the moral and aesthetic integrity of the letter . I have tried to ...
... verse letter when he prepared the Morning Post and Sibylline Leaves versions of the poem for publication.6 ° House has made out as good a case as possible , I think , for the moral and aesthetic integrity of the letter . I have tried to ...
Pagina 249
... verse letter and Dejection : An Ode is attractive in principle , it is feasible only through line 46 of the ode ( 51 of the letter ) , and so I have followed the usual practice of printing the two texts in tandem , leaving the reader to ...
... verse letter and Dejection : An Ode is attractive in principle , it is feasible only through line 46 of the ode ( 51 of the letter ) , and so I have followed the usual practice of printing the two texts in tandem , leaving the reader to ...
Sommario
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Copyright | |
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Parole e frasi comuni
Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young
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