Coleridge and the Literature of SensibilityVision, 1978 - 270 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 111
... wind playing the dead poet's harp . Whatever his reasons , he quietly dropped the vehicle but not the tenor , and ... wind - played harp was one of his favourite atmospheric props . Along with all other moans , whistles and shrieks of ...
... wind playing the dead poet's harp . Whatever his reasons , he quietly dropped the vehicle but not the tenor , and ... wind - played harp was one of his favourite atmospheric props . Along with all other moans , whistles and shrieks of ...
Pagina 117
... Wind , Breath , Voice , and Word . In The Treatise of the Incarnation , for instance , he cites Genesis and the Royal Harper as his authorities for saying that 83 ... God's breath is the Air - spirit upon which the Holy Ghost rides , as ...
... Wind , Breath , Voice , and Word . In The Treatise of the Incarnation , for instance , he cites Genesis and the Royal Harper as his authorities for saying that 83 ... God's breath is the Air - spirit upon which the Holy Ghost rides , as ...
Pagina 123
... wind / lute - poet metaphor . The pain can now ' move and live ' , and does so through- out the rest of the stanza . An important part of the transition must be the poet's willed turning outward ( I turn from you , and listen ...
... wind / lute - poet metaphor . The pain can now ' move and live ' , and does so through- out the rest of the stanza . An important part of the transition must be the poet's willed turning outward ( I turn from you , and listen ...
Sommario
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Copyright | |
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Parole e frasi comuni
Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young
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