Coleridge and the Literature of SensibilityVision, 1978 - 270 pagine |
Dall'interno del libro
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Pagina 27
... wrote about Dejection only in passing , and wrote about it before the verse letter was made public . But he knew Dorothy's journals and also knew , better perhaps than any other student of the subject , what went on between Coleridge ...
... wrote about Dejection only in passing , and wrote about it before the verse letter was made public . But he knew Dorothy's journals and also knew , better perhaps than any other student of the subject , what went on between Coleridge ...
Pagina 28
... wrote , or more probably completed , Dejection : An Ode ' . " Now , de Selincourt did not explain why he supposed that Cole- ridge ' more probably completed ' the poem that night , but possibly he found it hard to believe that even ...
... wrote , or more probably completed , Dejection : An Ode ' . " Now , de Selincourt did not explain why he supposed that Cole- ridge ' more probably completed ' the poem that night , but possibly he found it hard to believe that even ...
Pagina 172
... wrote Dejection , the new fusion may well have occurred much earlier . When , in 1798 , Wordsworth wrote , Nor perchance , If I were not thus taught , should I the more Suffer my genial spirits to decay : For thou art with me here upon ...
... wrote Dejection , the new fusion may well have occurred much earlier . When , in 1798 , Wordsworth wrote , Nor perchance , If I were not thus taught , should I the more Suffer my genial spirits to decay : For thou art with me here upon ...
Sommario
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Copyright | |
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Parole e frasi comuni
Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young
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