AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 6
Ęsthetic surface is concretely had , directly and fully experienced . It is not merely
distinguished by one of the senses , but felt emotionally in its full present
character . But so far as it is ęsthetic content , it is not more than thus directly felt .
Ęsthetic surface is concretely had , directly and fully experienced . It is not merely
distinguished by one of the senses , but felt emotionally in its full present
character . But so far as it is ęsthetic content , it is not more than thus directly felt .
Pagina 10
And it is only as we find an adequate notion of the ęsthetic in its broad scope in
experience that we shall find the native place of beauty in our world , or come to
any satisfactory , matter - of - fact account of the nature and the function of the arts
...
And it is only as we find an adequate notion of the ęsthetic in its broad scope in
experience that we shall find the native place of beauty in our world , or come to
any satisfactory , matter - of - fact account of the nature and the function of the arts
...
Pagina 86
For art it is the negation of the function of the medium of presentation , which itself
constitutes the ęsthetic content . So far as structural elements in the arts arrive at
the degree of familiarity that turns them into bare cues to structure , and allow ...
For art it is the negation of the function of the medium of presentation , which itself
constitutes the ęsthetic content . So far as structural elements in the arts arrive at
the degree of familiarity that turns them into bare cues to structure , and allow ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole