AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 5
Pagina 68
... Mediant of the scale , roughly half way from Tonic to Dominant , E if the Tonic is C , the Mi of our Do , Re , Mi , two octaves above . And this Mediant , defining the interval called a third , is , like the Dominant , given to the ear ...
... Mediant of the scale , roughly half way from Tonic to Dominant , E if the Tonic is C , the Mi of our Do , Re , Mi , two octaves above . And this Mediant , defining the interval called a third , is , like the Dominant , given to the ear ...
Pagina 69
... Mediant , and defining the intervals named fifth , fourth , and third . We have also made out the sense in which the ... Mediant are related to the Tonic . If the Tonic is C ( do ) , the Dominant is G ( sol ) , the Subdominant is F ( fa ) ...
... Mediant , and defining the intervals named fifth , fourth , and third . We have also made out the sense in which the ... Mediant are related to the Tonic . If the Tonic is C ( do ) , the Dominant is G ( sol ) , the Subdominant is F ( fa ) ...
Pagina 72
... Mediant ( M ) in the octave with which we are dealing . Thus we have T = 1 , M = 4 , SD = 3 , D = 2 . The vibration rates are in these ratios , and the pitches correspondingly related to the Dominant and to the Subdominant will be seen ...
... Mediant ( M ) in the octave with which we are dealing . Thus we have T = 1 , M = 4 , SD = 3 , D = 2 . The vibration rates are in these ratios , and the pitches correspondingly related to the Dominant and to the Subdominant will be seen ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words