AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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David Wight Prall. By the Same Author ÆSTHETIC JUDGMENT 394 pages , 18 illustrations THOMAS Y. CROWELL COMPANY PUBLISHERS - NEW YORK ÆSTHETIC ANALYSIS BY D. W. PRALL ASSOCIATE PROFESSOR OF PHILOSOPHY.
David Wight Prall. By the Same Author ÆSTHETIC JUDGMENT 394 pages , 18 illustrations THOMAS Y. CROWELL COMPANY PUBLISHERS - NEW YORK ÆSTHETIC ANALYSIS BY D. W. PRALL ASSOCIATE PROFESSOR OF PHILOSOPHY.
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David Wight Prall. ÆSTHETIC ANALYSIS BY D. W. PRALL ASSOCIATE PROFESSOR OF PHILOSOPHY HARVARD UNIVERSITY THOMAS Y. CROWELL COMPANY PUBLISHERS NEW YORK 24201 768 194721 COPYRIGHT , 1936 BY THOMAS Y. CROWELL.
David Wight Prall. ÆSTHETIC ANALYSIS BY D. W. PRALL ASSOCIATE PROFESSOR OF PHILOSOPHY HARVARD UNIVERSITY THOMAS Y. CROWELL COMPANY PUBLISHERS NEW YORK 24201 768 194721 COPYRIGHT , 1936 BY THOMAS Y. CROWELL.
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David Wight Prall. Significant æsthetic objects , such as artists are concerned to make and other human beings to appreciate , are on the one hand single qualitative feelings given in apprehen- sion . On the other hand , they are ...
David Wight Prall. Significant æsthetic objects , such as artists are concerned to make and other human beings to appreciate , are on the one hand single qualitative feelings given in apprehen- sion . On the other hand , they are ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words