AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 67
The one of them that we have so far found , the Dominant , is thus most closely
related to the fundamental or Tonic in the sense that a considerable fraction of
the sound heard as the Tonic itself is at this pitch of the Dominant . And this pitch
is at ...
The one of them that we have so far found , the Dominant , is thus most closely
related to the fundamental or Tonic in the sense that a considerable fraction of
the sound heard as the Tonic itself is at this pitch of the Dominant . And this pitch
is at ...
Pagina 68
The pitch relation of the Dominant to the Tonic is exactly the pitch relation of the
Tonic to the Subdominant . In terms of direction and pitch distance the
Subdominant is as far from the Tonic in one direction as the Dominant is in the
other .
The pitch relation of the Dominant to the Tonic is exactly the pitch relation of the
Tonic to the Subdominant . In terms of direction and pitch distance the
Subdominant is as far from the Tonic in one direction as the Dominant is in the
other .
Pagina 69
note that we choose and call our Tonic , we have now found the notes related to it
as its Dominant , its Subdominant , and its Mediant , and defining the intervals
named fifth , fourth , and third . We have also made out the sense in which the ...
note that we choose and call our Tonic , we have now found the notes related to it
as its Dominant , its Subdominant , and its Mediant , and defining the intervals
named fifth , fourth , and third . We have also made out the sense in which the ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole